Sarah Shamash的研究和創作實踐致力於探討「去殖民化」、女性主義批判和女性主義行動等主題，涵蓋了藝術創作、寫作、策展和教育等形式。她的作品使用多種形式的媒介作為手段，包括裝置、紀錄片、攝影、聲音，表演和視頻。它們曾在各種國際性的展覽和電影節中展出。她的作品和創作經常強調地緣政治、女性主義思想和歷史差異，以此作為理解世界和媒體歷史中「世界化」（worldings）的標誌。作為藝術家、研究者、教育者和程序員，她的作品可以作為一個相互關聯的整體來理解。它們全都圍繞著她對電影和媒體藝術的熱愛，這是一個涉及多種技術的廣泛知識領域。她和兒子幸福地生活在Musqueam，Squamish 和 Tsleil-Waututh等第一民族的土地上，這裡現在被稱為溫哥華。
藝術家的網站: sarahshamash.com
藝術家的Instagram: instagram.com/@sarah_shamash
演講敘述
This discussion will center feminist models for sustainable creation processes in resistance to predatory surveillance capitalist paradigms. Sarah Shamash will reflect on feminist solidarity and feminized labour in the face of patriarchal structures and how the above have been impacted by the pandemic. Collaboration as part of a relational practice will be examined through past and ongoing art and film work such as the iterative performance “Recipes for (un)domestication” (with media artist Deanne Achong) that make visible and audible how positionalities as women and as caregivers from diaspora backgrounds politicize auditory experiences. She will highlight a collaborative work-in-progress (with artist-scholar Sonia Medel) on Latin American media herstories through intergenerational dialogues with a Latin American community of artists, scholars, and activists. She will further reflect on feminism, collaboration, and artmaking as a speculative practice of resistance as it intersects with her work with the art/mamas collective.